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Stream Horseland: Taking the Heat Online. Product: Horseland: Taking the Heat Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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This exhibit is awesome. My girls (ages 5 & 7) Esteem this expose, and I can sit through it as well The episodes are action-packed, edgy enough to be provocative to my girls, but unexcited wholesome with nice life-lessons. The horses are enormous, the storylines are attractive, and I highly recommend this series. We also have the first one, Friends First, which is gigantic too.

It was shipped hasty. It was in expansive condition. We peruse it about every day. It’s my horse loving daughters well-liked!
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Krakatoa, East of Java Streaming. Product: Krakatoa, East of Java Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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For some reason I’ve always enjoyed Krakatoa having originally seen it in Cinerama.

This DVD is frankly a disaster; many years ago Benny Hill did a sketch of a movie dwelling on a boat that kept jumping. This is what the print on this DVD does all the time. Whereas Benny Hill was amusing, this is not.

The characterize is unusual to say the least; it is billed as Widescreen on the box but even when playing it in Widescreen on a Widescreen TV the describe is too squashed.

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The sound is not AC3 stereo although I concept it was positive.

The film has been prick terribly and runs far short of the time billed on the DVD case.

Don’t bother with this poor print; let’s hope the movie gets restored properly.

I had high expectations during the first 20 minutes or so of this movie, but the were all dashed. It starts out okay and it is fascinating but as it goes on, you may fetch yourself wondering when the tale is going to begin. Unfortunatly it never does. I relate this movie as a mix of alot of people’s stories all mixed up and unconnected. The volcanic explosions were big visually, but the wern’t lead up to very well at all. It was kind of like, “Okay, let’s have an explosion.” with no suspence or anything. ALSO, the quality of the DVD is HORIBLE it jerks and the sound is off about a second at some times and it stoped for about 5 seconds at a time about every ten minutes. Very Annoying. Don’t extinguish your money on this DVD.
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Rocco and His Brothers Streaming. Product: Rocco and His Brothers Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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The long-awaited DVD release of Visconti’s mammoth novel-like film is here. Dusky to record, it is something of a disappointment.

The film itself looks quite advantageous, transferred from a well-preserved source. But this is the 168-minute version of “Rocco e i suoi Fratelli”–12 minutes of the unusual 180 minutes have been reduce. To be elegant, this version has been the “standard” on VHS for some time, presumably Image derived it from the source of earlier releases. It is really dismal that a full-length print could not be traditional here. Moreover, there are zero extras on the disc: unbiased a static, hastily-produced menu. The English-only subtitles are removable.

Visconti’s film is old-fashioned. It is a contemporary of “Shoot the Piano Player”, “L’Avventura” and “La Dolce Vita”, yet it has virtually nothing in popular with them. Watching “Rocco” is like reading a 19th century unusual, with chapters devoted to the five brothers of the title. All characters are well-drawn, the film is beautifully shot, acting is often intellectual. There are many unforgettable moments in what feels like a broad, panoramic plan of several years in one family’s history. One element Visconti shares in this film with Antonioni is the huge Italian theme of transition from the used world to the unique world. Characters are forced to accumulate change, change themselves, or perish.

In spite of these limitations, the DVD is recommended. If you don’t behold it, you will miss a noteworthy cinematic experience.

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Luchino Visconti’s Marxist grasp on the changing Italian society circa 1960 was one of the most controversial and influential movies of the early 60’s. Like LA DOLCE VITA it caused a sensation in the US and made an instant, international star of Alain Delon. Visconti mixes Weak Testament themes starting with the expulsion from Eden & Cain and Abel, throws in lots of Dostoyevsky & even some of Bunuel’s VIRIDIANA. It’s quite a stew but I never heard anyone say they were bored. As the mother Katina Paxinou who was Jean Simmons’ vile governess in THE INHERITANCE chews up enough scenery for 10 movies. Annie Giradot playing a prostitute gives such a vibrant performance that you wonder why she appeared here in only 2 or 3 movies over the next 30 years. Alain Delon’s Rocco is a blooming Prince Myshkin but he’s very bland. As Simone his immediate older brother Renato Salvatore exudes so worthy animal magnatism he may have you jumping out of your skin. When he seduces Rocco’s middleaged employer (to choose her) half the audience wishes they were she. Giuseppe Rotunno’s heavenly shadowy & white cinematography often acts as a commentary on the action especially in the scenes of more than graphic violence. Nino Rota wrote the pleasing rep.
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Inside a grim limited room in the empty countryside somewhere east of the Berlin wall an East German agent is interrogating a defecting British gawk. The defector is anxious and weary. He wants his money now. Prompting the Communist agent to say this : “You are a traitor, the lowest currency of the chilly war. We lift you, we sell you, we lose you, we can even shoot you. Not a bird in the trees would scamper if we did impartial that.”

Except that Alec Leamas(Richard Burton) is not really a defector, he is only masquerading as one. On his last assignment for the British Secert Service, he is to pretend to be burnt out and jobless. Never faraway from a bottle he walks around the streets of London cynical and unhappy, his “masterstroke” in this act is an terrifying fight with a shopkeeper who refuses to give him credit. This ofcourse attracts the attention of the East German agants who conception him as a potential defector because of his dire need for cash and his embitterment towards the British Agency for abandoning him. It is a credit to Burton’s sparkling and painfully realistic performance that you are exquisite obvious his embitterment in not entirely an act. That he really is a drunk. That he wholeheartedly agrees with the German when he calls him “the lowest currency of the wintry war”, even if he is not a defector. To him, all spies, on both sides, are scum.

John Le Carre was an ex-British intelligence officer when he wrote the notorious fresh on which this film was based. It was called “the finest see account ever written” by the writer of The Third Man, Graham Greene. And in a sense, The Inspect Who Came In From The Cool starts where The Third Man left off. The lead character has already lost any faith he had in humanity. I suspect that the only reason Leamas hadn’t really defected is because even money has lost its lure. Surprisingly the most sympathetic characters in the book(and the film) are the communist recognize Fiedler(Oskar Werner) and naive communist librarian Liz Gold(renamed Nan Perry in the film and played by Claire Bloom), and both pay dearly for it. In the world of The Witness Who Came In From The Frigid idealism is not merely misguided, it is pathetic. When Fiedler sincerely asks Leamus “How do you sleep at night without a philosophy? “. Leamus’s typically jaded retort is “I don’t bear in God or Karl Marx. I don’t beget in anything that rocks the world. I reserve the lawful to remain ignorant.”

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In adapting the original, scripters Paul Dehn and Guy Trosper retained the wintry restraint of the unique. Director Martin Ritt(who made the better known but wrong Norma Rae) shoots the film in a harsh dusky and white. Accompanied by a black violin find, The Perceive Who Came In From The Chilly is finally a sentimental film about unsentimentality. Ridiculously Burton lost out on the Oscar infavour of Lee Marvin in the frankly ridiculous Cat Ballou. The film was nominated for fair one other Oscar which was for Art-Direction. A shame. With its correct and asthetic complexity, this is as far away from Bond or Tom Clancy based thrillers as you can collect. Possibly the greatest film in its genre, and in its occupy aloof scheme the equal of The Third Man. The final message being that people who are driven enough to enter the world of espionage are not(and can’t afford to be) driven by ideals. In that world the only motive is expediency.

Richard Burton’s brooding performance coupled with appropriately grim sad and white photography from cameraman Oswald Morris provide unbiased the worthy mood as the masterpiece thriller from outmoded British intelligence operative John Le Carre was brought to the cloak in 1965 with kindly fidelity.

While a British production, the film’s director was American Martin Ritt, an accomplished master of providing films of compelling seriousness with a touch of the grim, as exemplified by “No Down Payment”, “Hud” and “The Front.” Burton plays an intelligence operative gone to seed, hence the reference to “coming out of the wintry” which, in peek talk, involves being taken out of the field of operation. Burton goes to planned seed, becoming an alcoholic who ultimately is thrown into prison for pummeling a thoroughly decent London grocer who had extended him credit and ultimately had to plan the line, incurring Burton’s well orchestrated rage in accordance with plans from MI5.

As soon as Burton leaves prison Michael Hordern is waiting for him. They discuss “doing articles,” a cloak for what is really expected, turning allegiance and going to work for the Soviets. During this period Burton is provided with a job at a tiny library featuring psychic works. It is here that he meets Claire Bloom, an ideologue who attends local Communist seek groups as a plot of making a contrast in a panicked world.

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Burton operates in a realm of barely contained rage. He inveighs Hordern with scorn and is not about to disagree with Oskar Werner when the East Germany Communist ideologue refers to Burton and his ilk as “the lowest currency of the Cool War.”

Burton’s contempt for his role in a grimy affair is enhanced by the fact that he has been sent to East Germany to distinct Peter Van Eyck of charges that he is a double agent working for Britain. Werner has shrewdly pegged him, and British intelligence does all it can to befriend a ruthless individual it took charge of after he murdered a man on a race to England during an East German traveling trade reveal. Eventually Bloom surfaces as a prop to succor the improper Van Eyck.

More twists and turns occur until ultimately Burton wonders honest what the future holds for him, and whether Bloom, the only person he cares for in life, will be piece of it. Circumstances ultimately acknowledge essential questions for Burton as he is propelled through a swirl of events masterminded by wily intelligence operatives to his ultimate destiny.

This is a spectacularly temperamental giant of a film. Guy Troper and Paul Rehn fashioned a lustrous script which meshes with Le Carre’s chilling suspense masterpiece. “Inspect” was a deserving recipient of a Best Film British Academy Award. It bristles with controlled rage and sizzling wit delivered with the excellent measure of acid by Burton in one of his enduring roles.
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Buy National Lampoon’s Christmas Vacation Blu-Ray. Product: National Lampoon’s Christmas Vacation Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Finally, after all this time, Warner Brothers have approach to their senses. On October 7th, we will be treated to a heftly helping of one of the greatest Christmas films to ever grace the silver shroud…………in WIDESCREEN.

I was extremely disappointed with the previous DVD release of this film which contained a pan & scan presentation and nothing more than a theatrical trailer in the extras department.

What we have here is a special edition of this ample movie, which will beget audio commentary from both Beverly D’Angelo and Chevy Ride, a “making of” featurette, as well as other stocking stuffers which have yet to be disclosed at this indicate time.

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Being a expansive fan of this movie, I honestly can’t wait for this release. “National Lampoon’s Christmas Vacation” has become a holiday tradition in my home, and to be able to spy it the plan it was intended to be seen is truly a treat for me.

Aside from the features of the disk, the film itself is the upright gift. One of the funniest movies today which quiet withstands the test of time even 15 years later. The premise is simple. Clark W. Griswold (Chevy Jog) is hell curved on having an veteran family Christmas in his home, relatives and all. Of course, the hilarity kicks in when things open to go awry. There are so many hilarious scenes in this movie, it would be difficult to list them all. You have everything from an electrocuted cat, to a house with the brightest Christmas light demonstrate known to man. Let’s not forget the dried up turkey, the saucer sled and the dog/squirrel amble! There’s so powerful more I could say to praise this movie, but if you haven’t already seen it, [I won’t say more]

You really remove your life in your hands every time you sit down with a Chevy Trek film. Let’s face reality here: Chevy Stir is responsible for several of the worst movies ever made. Does it bewitch more than a few minutes of viewing to survey the mind numbing folly of “Nothing But Pain,” “The Three Amigos,” and “Spies Like Us”? Gallop has certain had his truly embarrassing moments on the ample camouflage. What redeems the guy, at least in my eyes, are several films that play up to the comedian’s gleaming alecky, deadpan delivery. “Fletch,” of course, is the gold standard of Chevy Drag films, but other movies showcase his talents impartial as well. I always view “Deal of the Century” a classic Roam film, as well as “Unfavorable Play” (although the latter was more of an ensemble characterize) . But we need witness no further than the four National Lampoon Vacation films to truly contemplate the merits of this comedian turned actor. Actually, I should say three Vacation films since the second installment, where the Griswold family went on a tour of Europe, ranks as one of the most awful stories ever assign on film. Of the three successful entries, “Christmas Vacation” is the best, perhaps even eclipsing the first movie that started it all.

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You won’t hear the familiar strains of Lindsey Buckingham’s “Holiday Road” in “Christmas Vacation,” and there are no corpses strapped to the top of a location wagon either. Instead, the film invites us into the Griswold home for an customary fashioned Christmas celebration the likes of which soon approach catastrophic levels. Clark (Chevy Bound) and Ellen (Beverly D’Angelo) Griswold, along with their disinterested kids Audrey (Juliette Lewis) and Russ (Johnny Galecki), invite the whole family over for a season filled with happiness. Clark’s parents Clark Sr. (John Randolph) and Nora (Diane Ladd) exhibit up, as does Ellen’s folks Art (E.G. Marshall) and Frances (Doris Roberts) . And yes, even Cousin Eddie (Randy Quaid) makes an appearance to attach the day. Of course, along with the family comes the inevitable frustrations and stresses everyone who has ever dealt with a reunion dreads. Clark Griswold refuses, at least initially, to plunge into a morass of cynicism and despair amidst the bickering and insults. His invention of a unusual milk preservative has our hero hoping his Christmas bonus will be extra great this year, broad enough so he can install an in ground swimming pool in the backyard. Unfortunately, his boss Frank Shirley (Brian Doyle-Murray) is a scrooge with plans to invent the company more fiscally conservative.

While he waits for the check to advance at the house, Clark embarks on several hilarious projects that haul in the belly laughs. His attempts to hide every square slither of his house with Christmas lights is a chore requiring several falls off a ladder, pointed verbal repartees with his snotty neighbors Margo and Todd Chester (Julia-Louis Dreyfus and Nicholas Guest), and repeated failures to pick up the strands to light up. The acquisition and installment of the Griswold family Christmas tree is another chore handled in Clark’s inimitable style. Imagine the pine they string up in Rockefeller Square every year, subtract roughly five feet from its height, and you have the tree Clark insists on setting up in the house. This thing is so large that the branches knock out the windows when Griswold cuts the rope holding the branches together. No Yuletide season, however, would be complete without a walk to the slopes for a sledding excursion, an event filled with disastrous implications when Griswold comes up with the colorful plan to conceal the bottom of his sled with a Teflon based substance. My common scenario involves Clark trapped in his attic for a few hours. He spends his time dressed up in women’s clothing (to finish warm) watching musty home movies of his childhood. His abrupt descend through the trap door had me laughing for hours afterwards.

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Buy,Download, Or Stream National Lampoon’s Christmas Vacation! Click Here

The cast of “Christmas Vacation” gels fantastically, far better than any cast in the other three films. Kudos as always go to Randy Quaid as the squirrelly moocher Eddie; a film in this series objective wouldn’t be the same without this character driving Clark to fits of distraction. Beverly D’Angelo is one of those actresses who regain hotter and hotter with age. The linchpin of the film is, as always, Chevy Whisk as the worry prone Clark Griswold. This is a role tailor made for his trace of clumsy, caustic humor. I don’t know about you, but Chase’s depiction reminds me in many ways of my absorb father–he won’t listen to the advice of anyone else, his ideas are the best ideas, he tosses safety to the wind when working on risky projects, etc. But like my Dad–and probably countless other fathers–Clark is dependable and wants his loved ones to have fantastic family memories. The film works so well, I suspect, because most of us instantly ogle his character traits in our contain beloved family patriarchs. Especially when Clark can’t stand the pressure anymore and launches into one of his over the top tirades, again a trademark of our hold fed up fathers.

Although the DVD carries the “Special Edition” price, the extras are surprisingly sparse. A trailer and a commentary constitute the sum total of goodies available on the disc. Moreover, the commentary doesn’t include Chevy Hasten. At least you hear Randy Quaid, Beverly D’Angelo, Johnny Galecki, Miriam Flynn (Eddie’s wife Catherine), director Jeremiah Chechik, and producer Marty Simmons, but why no Clark W. Griswold? Perhaps he wanted too remarkable money. His absence is uncomfortable and mars what is otherwise a mountainous commentary track. I don’t even wait until Christmas to view this movie; it’s fun works year round. If you haven’t seen it yet, you ought to immediately. You’ll like it.

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As our dismal party continue on their retreat, they encounter even more potential enemies and allies. An encounter with a church inquisitor leads our band to a hidden village, and another Scrapped Princess(? ) . Later, their rush is thwarted, and they are taken prisoner by a princess of the Giatt Empire. Pacifica must then face many questions about who she is, and what she represents. Is she a threat to the world, or impartial a threat to someone’s carefully constucted area quo?

The state has definitely thickened in this latest installment, as parts of the memoir fetch clearer. As usual, the animation is spacious, and the writing is very attractive. This series unbiased continues to sign me with its quality, and I’m looking forward to the next installment.

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Ok, I’ll gash to the chase: you won’t be buying this if you don’t already fancy the program - that would honest be absurd, no?

You won’t be buying this if you don’t have shelf station - the box is too salubrious to throw away. By the blueprint, for some reason someones already opened the box.

I’m assuming you’re not Comical Book Guy(tm) and you will wreck the blister pack seal and actually handle the figurine. This is 125mm big inc plinth. She is beautifully detailed (please enjoy in mind that I’ve NEVER owned a doll in my life so have exiguous to compare against effect Matchbox cars etc.) and the workmanship is top notch. I hope I haven’t honest praised a machine.

I have never approach across such a loose woman. Everything falls off (apart from the clothes!) so care is required that limbs don’t go missing.

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Note: if you are after a figurine alone, the two boxes in this series that are $45 have powerful larger figurines. One each of Pacifica and Raquel.

Now I need a point to cabinet…
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Watch Not Quite Hollywood Online. Product: Not Quite Hollywood Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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I have all the 42ND STREET FOREVER series of DVDs. I go ape over trailer DVDs & documentaries of shameful budget films. This DVD fils the bill perfectly.

Having had the privilege of growing up in a miniature town that had an operating drive-in during my youth, I can say that I’ve seen more than my pretty fraction of exploitation films. While not an expert on the subject, I consider anyone who’s seen a few gets the basic formula: the motion report is made on the hover — hastily and with easy money — with the sole intent of putting as distinguished schlock and shock fit to have the cover that’s possibly imaginable … and NOT QUITE HOLLYWOOD serves as the ultimate “director’s commentary” to the continent of Austrailia’s contribution to the enormous exploitation films of the 1970’s and (mostly) early 1980’s. Direct-to-video markets exquisite worthy killed this unheralded era of international cinema, though every now and then, genre films obtain tiny comebacks (deem SAW and any of its myriad variations and derivatives) .

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NOT QUITE HOLLYWOOD plays out as a loving embrace to these films, these actors, and the directors who made these down-and-dirty films possible. It’s documentary format is loose and fun — great like the stories it celebrates — but it’s all handled with the broad grace, admiration, and professionalism that this oft-overlooked influence so richly deserves. The documentary is packed with plenty of familiar faces — indeed, Quentin Taratino contributed great of the behind-the-scenes influence to net the film made — and nowhere else will you salvage such a plethora of tales told with such gusto. Indeed, once it’s all over, the viewer feels shaded that most of the films are relegated to the backshelves of the ol’ video store; I did a like a flash search of several titles detailed at length here, and I couldn’t score a single one of the available on DVD. Hopefully, some of these gritty classics will peruse the light of day again as more and more viewers turn to the past as today’s megaplexes continue to churn out one CGI-laden effects-fest after another. These films relied as grand on the ingenuity of the filmmakers as it did the audiences. One can only hope for such respect from next weekend’s major blockbuster.

That’s not to say that all of the films noted within NOT QUITE HOLLYWOOD deserve the moniker of ‘art.’ It’s only to say that the documentary makes and takes its stripes as well as the creative folks who produced these gems in the past. There’s something for everyone here — fear, vice, greed, action — and, if nothing else, NOT QUITE HOLLYWOOD will accomplish you believe twice about (in a clear design) about picking up some unadvertised direct-to-DVD production in hopes that you’re about to study the next Lucas, Spielberg, Scorsese, or De Palma … and maybe you honest will …
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Streaming The Ten Commandments Online. Product: The Ten Commandments Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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While Cecil B. DeMille’s directorial skills were sometimes too rooted in the more grandiose style of the mute era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of “The Ten Commandments” is a whale of a note! Both pious and profane, posturing and valid, it isn’t large history, but it abounds in spectacle. While he was in abominable health during the filming (suffering a seizure that was either a stroke or still heart attack, while working under the 130-degree Egyptian sun), his distinctive ’style’ was never more in evidence, with sizable, overwrought performances, aesthetic costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In ‘classic’ DeMille, there ARE no ‘grays’, everything is ‘good’ or ‘evil’, and ‘evil’ WILL be punished! Watching the film, you’ll either appreciate the ‘ride’, or you’ll groan, again and again. Personally, I savor it, even with it’s unintentional(? ) campiness!

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Among my common ’so poor it’s FUN’ moments are ‘Rameses’ Yul Brynner and ‘Nefretiri’ Anne Baxter’s frequent consume of “Moses, Moses…” whenever he predicts something dire (Brynner looks like he can barely maintain a straight face, uttering the phrase) ; ‘Sephora’ Yvonne De Carlo’s stoic, yet impassioned pitch to Moses to marry her, always looking away (’into the future’, I presume), when comparing her assets to Nefretiri’s; ‘Dathan’ Edward G. Robinson’s entire performance (nearly myth hamminess from one of America’s finest film actors) ; Woody Strode’s Ethiopian ‘Princess’ companion, who praises Moses’ kindness with so grand heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke’s ‘Sethi’, turning an Egyptian Pharoah into a world-weary lovable executive-type (one can’t back but wonder how Rameses could be HIS son!)

Compared to Baxter’s scenery-chewing, and Brynner’s posturing, Charlton Heston’s portrayal of Moses is so understated that he’s often been criticized as ‘wooden’ in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the fantastic ‘Exodus’ sequence, filling the camouflage, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses!

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The film has some very distinct merits; many of the special effects (particularly the ‘Angel of Death’ vapor, and the massive parting of the Red Sea) are collected astounding, today; Elmer Bernstein’s acquire is an often ‘over-the-top’ joy to listen to; and the cast includes some very spellbinding supporting players, including Nina Foch, Vincent Trace, and DeMille’s longtime associate, Henry Wilcoxon.

Taken as spectacle, as a tremendous entertainment for the senses, “The Ten Commandments” is quite a note, and it’s continued popularity over the past half-century is proof that many are tranquil captivated by it.

Cecil B. DeMille, master showman, knew his audience!

Okay. I admit it. Watching this Biblical sage, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would slump into a wickedly astounding pattern of over-acting. (”Moses. . .” she would coo, “consume me in your arms. . .”) I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille’s 4-plus hour story, completely mesmerized and entertained.

All of us know the story: a once-great Egyptian prince leads his moral people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a enormous narrative, as four books of the Veteran Testament aptly, well, attest. Yet what makes this flick truly unbelievable, impressive, and fun to survey, is the scope and titanic scale of DeMille’s 1956 epic–from the awesome vistas of Egypt, portrayed on a blue shroud in some Hollywood studio, to the blatantly corny, often comic, dialogue and actions of its characters (a distant reflection of the tranquil film icon who dominates this relate) . Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector’s Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood’s alltime classics.

Here, in the fabulous commentaries that accompany the film, “The Ten Commandments” student and author Katherine Orrison furnishes an improbable, captivating, and overwhelming avalanche of information. For instance: Did you know that DeMille’s first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to acquire out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn’t want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the “King And I.” Brynner looked “Egyptian”; he got the portion, Holden was dispatched.

And I loved the “diaper pen” disclosure of infant Fraser Heston, who, of course, is Charlton Heston’s son, and who played the baby Moses. I’ve watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser’s diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go abet and lawful.

In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production–a setback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is first-rate stuff, and Orrison furnishes tiny details of unprejudiced about everything in enthralling fashion.

So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS unexcited dominates the hallowed tier of memoir lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector’s edition, with its honest select of the facts, merely enhances the viewing experience.

–D. Mikels, Author, WALK-ON

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The Nazi Officer’s Wife Review. Product: The Nazi Officer’s Wife Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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An superior documentary, with sharp and at times devastating film footage, this is the narrative of Edith Hahn, a fearless woman who was also blessed with a degree of respectable fortune, meeting people who helped her, even among those in the Nazi Party. She took the identity of another dauntless young woman, Cristl Denner, who went to the authorities claiming to have lost her identification papers, enabling Edith to select the novel “lost” papers, and disappear to Germany with them…and thus starts this astonishing account of survival among the enemy. In 1985, Ms. Denner was honored at the Yad Vashem Holocaust Museum in Jerusalem, for her doughty and humane act.

Produced and directed by Liz Garbus, written by Jack Youngelson, and with a handsome net of unique music by Sheldon Mirowitz, it alternates between interviews with Edith (who is currently living in Israel, in her unhurried eighties and looking as elegant as she was in her youth), the account itself, which is narrated by Susan Sarandon, and portions of Edith’s wonderfully written journals, read with remarkable feeling by Julia Ormond. Ms. Ormond’s mighty talent has been scarcely seen lately, and it is nice to hear her stunning dispute archaic so well in this film.

This is a considerable chronicle of a very unusual life, with rare film clips, and tranquil photographs of images that will quit with you; the one I will never forget is of the early days of the Nazi takeover of Austria, when the Jews were made to kneel in the streets and scrub the pavements, while bystanders watched. Edith has near through the horrors of her life with wonderful fortitude, saying that “human nature is not fixed” and that she has “seen honorable everywhere”.

If you’re expecting a movie which portrays the life of Edith Hahn, you’re going to be disappointed. However, if you’re expecting a documentary style film, you’ll be ecstatic with the results. Edith Hahn Beer’s memoir is of the incredible fair metamorphosis of a Jewish schoolgirl into an Aryan bride in a account unlike anyone else’s. She got a job at the Red Inferior and lived in a boarding house outside Munich. There she met Werner Vetter, a Nazi party member who fell in appreciate with her. And despite her protests and even her eventual confession that she was Jewish, he married her and kept her identity secret. The two of them - the Nazi and his Jewish wife - lived out the war together, even bearing a child. Angela Vetter, their daughter is the only Jewish girl known to be born in a Nazi hospital. Throughout her ordeal, Edith saved every document and section of paper issued to her, such as her Nazi identification, marriage certificate, and her daughter’s birth certificate which listed both parents as “German-blooded.” The film explores issues of faith, family and identity in this complex portrait of a woman who had to bury her moral self in order to survive.
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Buy Up DVD at Amazon.. Product: Up Average customer review: Amazon Price: Sale Price Too Low To Display Click Here To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Here’s a movie for dog lovers, the elderly, children of divorce, FOBs (Friends of Birds), passe Boy Scouts, people yearning for adventure, and anyone who has ever loved… and lost. Up is for everyone. It made me laugh out loud, and it made me yell.

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I notion it would be tough for Up to match the emotional power of Wall-E. The two Pixar films are similar in their lack of dialogue in the first act, which helps deepen the emotional impact. Up begins with Carl, a petrified young boy star-struck by a well-known explorer; and kookie Ellie, who has a similar obsession. The two kids become rapid friends, and tell to one day proceed to Venezuela’s Paradise Falls. After getting married, they consume their dream home and fix it up, hoping to bear it with children. Carl and Ellie’s life together from childhood through broken-down age is depicted, silently, with delicacy and subtlety. The first 15 minutes is like a celebration of a delighted marriage, and you truly feel Carl’s hurt when he is left alone. He sits slumped in his chair, talking to the house as if it is the missing Ellie.

When developers cessation in on Carl’s beloved home, he decides to fulfill his promise to Ellie and move to Paradise Falls. A obsolete balloon vendor, Carl lifts his home with hundreds of shiny balloons. Stowing away on the porch is Russell, a burly, fearless kid trying to procure a scouting badge.

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After landing in Paradise Falls, the primitive man and the cramped boy are joined by a golden retriever named Dug who can talk with his collar, and a vast rare bird that bonds with Russell (he names her “Kevin”) . Dug is priceless: spot-on for every dog that ever lived, including an obsession with squirrels. Through a series of finish calls and adventures, the quartet vanquishes a villain, saving the day. And Russell earns his scouting badge.

In the process, Carl learns to let go of his unlit mourning for Ellie, and live life again. When this happens, a truly magical thing happens. Before, Carl’s craggy face is gray and monochromatic. At the moment of his transformation, Carl’s face is awash in color, and he is surrounded by radiant hues. It reminded me of The Wizard of Oz, when Dorothy steps out of her gray world and into a candy-colored Munchkinland. Carl, too, enters a whole fresh world.

Up is a deeply emotional film, paunchy of truth. It’s the year’s best film. Come By another triumph for Pixar.

Someday, Pixar is going to do it — they’re going to produce an emotionally uninspiring, lackluster challenging movie. But in the meantime, they’re unruffled putting out exquisite entertaining movies like “Up,” which defies the usual kid-movie conventions by starring a crotchety archaic man. It’s a charming, fun slight adventure narrative with flying dogs and balloon-powered houses, but underlying it is a bittersweet cramped legend about loss and admire.

As a child, the fearful Carl Fredricksen bonded with the oddball Ellie over their shared esteem of adventure, the explorer Charles Muntz, and Paradise Falls. They later married, proceed into their “clubhouse” together, and lived a long, sadly childless life together. When Ellie died, she had never fulfilled her dream of going to Paradise Falls.

Now crotchety, alone and harassed by a valid estate developer, Carl (Ed Asner) is finally ordered to a retirement home. But he isn’t going quietly — instead he attaches thousands of balloons to his house and floats it away toward South America. But he accidentally takes an eager, naive Wilderness Explorer (a thinly-veiled Boy Scout) named Russell (Jordan Nagai) along for the jog. Unpleasant kid was honest trying to salvage an “assisting the elderly” badge.

And the jungle trip to Paradise Falls turns out to have some surprising obstacles: a mountainous emulike bird that Russell names Kevin, a talking dog named Dug (”I am jumping on you, bird!”), and a mysterious broken-down man who lives deep in the heart of the jungle. Turns out the veteran guy is very familiar to Carl — and to grasp Kevin, he’s willing to sacrifice Carl and Russell.

Industry experts were babbling about how “Up” wouldn’t be as celebrated as the previous Pixar movies, because the protagonist is basically a crusty customary coot. Well, shows what they know. It ended up becoming one of those classic movies that somehow appeals to all ages — while the humor and action appeal to children, adults can delight in Carl’s treasure for his lost wife, and his tiresome realization that he’s clinging to the past.

In fact, the first ten minutes are some of the most heart-tugging, quietly bittersweet scenes I’ve seen in a long time. Without a word, they explain all the ups and downs of a realistic marriage — joys, sorrows (Ellie’s inability to have children), growing used together, and finally loss.

But it’s not a depressing movie by any stretch — in fact, it’s like a childhood fantasy arrive to life, complete with a floating house suspended on hundreds of balloons, and biplanes piloted by a talking dog army.. Plenty of grand dialogue (”Do you want to play a game? It’s called Examine Who Can Go the Longest Without Saying Anything.” “Frosty! My mom loves that game!”) and an action-packed climax in an ancient airship.

Ed Asner is absolutely perfect as ubergrouch Carl — crotchety, grumpy, and sure to fulfill his wife’s lifelong dream, but gradually realizing he’s clinging to the past. Nagai is equally perfect as Carl’s polar opposite: a naive, chattery Scout who is clear to reunite Kevin with her baby chicks. And the utterly adorable Dug and the other dogs deserve special peruse. These creatures are utterly hilarious — they talk (”I hid under your porch because I esteem you”) and act the draw dogs would if they talked. Three words: cone of shame.

The two-disc edition is going to have some very nice extras, but once again people with regular-def DVDs are going to rep shafted because the Blu-ray edition will have a bunch of queer stuff. Grr. As for this one, there’s a digital copy, the director’s audio commentary, kinda-alternate-ending “The Many Endings of Muntz,” and the documentary “Adventure Is Out There” about the research for this movie.

There are also a pair of adorable provocative shorts. “Partly Cloudy” has a much-abused stork having to protest potentially disagreeable baby creatures from a kind but clueless cloud. And “Dug’s Special Mission” is a sort of backstory for the adorable Dug, explaining what the heck he was doing before he met up with Carl and Russell.

“Up” continues Pixar’s running tally of gloriously enchanting, emotionally layered movies that the entire family can savor. With that, I have only one more thing to say… SQUIRREL!
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